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| workshops, Brussel 02 2005, backgroundinfo |
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We asked different creatives to give a contribution about:
Car lettering as a visual chance, in and on a personal public space.
Please click on the pictures to read & react (send us you contribution, here).
 Peter Bünnagel, designer Scrollan, Berlin, Germany |
 Prof. Czyk (aka Alexander Branczyk) Xplicit, Berlin, Germany |
 Piet Schreuders, art director eg. Poezenkrant, Amsterdam, NL |
 Christian Schwartz, type designer Orange Italic, New York, USA |
 Sasker Scheerder, artist his website, Rotterdam, NL |
 Michael Göke, 3d designer and rockstar Cryptic flowers, Essen, Germany |
 Eike, designer Subfuse, Berlin, Germany |
 Henrik Birkvig, designer and head of the D.G.H. · LetterLab, Denmark |
 DJ Wout, designer, AGI member & DJ FdV, Rijswijk, Den Haag, NL |
Car lettering (all kind of) starts to get bearable at a speed of 100 or more. Exactly at that moment where the eye does not have any chance anymore to focus it. This is also the same speed where car design gets acceptable. A big chance for the public space would be, if there would be a water-solubly car lettering.
Car-cultural-pessimistic greetings form Berlin, Czyk
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